關(guān)于重陽(yáng)節(jié)放紙鶴的習(xí)俗英語(yǔ)作文
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重陽(yáng)節(jié)的英語(yǔ)作文：
Put ZhiYao is huizhou in the double ninth festival's main custom. In other words, the huizhou folk in the double ninth festival is put ZhiYao as the main characteristics. The acquisition, in addition to the huizhou spread in the folk narrative, guangxu emperor hui state volunteers are described.
ZhiYao kite now. Kite is five generations later, before the five dynasties, used to say "kite" in the north, the south is called "the kite", huizhou "ZhiYao title clearly is retained the ancient name five generations ago, and has the flavor of the" north-south mix ".
Beginning a kite in the spring and autumn period, the early type are birds. Legend states lu ban) as a "cut bamboo for crane, and fly", "a wooden kite to peep songcheng". Here the "bamboo magpie" wood "the kite", is the generation of a kite. However, there was no paper, can only be made from bamboo. Qing said in a note "han xin army thousand under siege xiang yu in the note, with cow leather a kite, the place of good whistle blown homesickness, the sorrowful but, ChuJun disciple eight thousand dispersed" surprising. Here said the kite, han dynasty also is just a cow leather kite. Papermaking debut by CAI lun in eastern han dynasty, the beginning of paper kite, appeared "the kite" and "the kite" title. The emergence of the name of "the kite", according to the record is in the five dynasties, the polling silage recorded "ji yue:" kite, kite, also known as the wind kite. At the beginning of the five dynasties his a kite in the court, lead field trips to play, after first for bamboo flute, the kite made into bamboo wind, sound, such as zheng, vulgar kite." Tang dynasty, the kite, and pronounce qingming festival, after the song has been more popular among common people. After this, the shape of the kite is not confined to the magpie, kites, harrier birds, insects, fish, people are of god, after the Ming and qing dynasties, has become a kind of very consummate craft of kite making art.
Huizhou folk ZhiYao, is not true colors, more for square plane, with a tail, its shape and folk door god, ghost similar, so the suspected god a simplified shape is the kite. In huizhou folk, rubella is extremely simple, bamboo a bend, straight vertical, grabbed a square piece of paper, affix tail set line, can fly. One with no tail, the quartet form paper slightly larger, said "a savory harrier", to relax smooth and stable when the name. In addition, other shapes of ZhiYao occasionally. Chongyang this day, people with more high, in the streets and the desert place to fly kites, have children, as per capita, also very spectacular.
According to our country's traditional habits, fly kites in the tomb-sweeping day. Chongyang ZhiYao is huizhou unique folk customs. The cause for review. But from huizhou led south climate, time seems to be quite appropriate. Before and after the tomb-sweeping day is the rainy season, spring rain continuously, then obviously is not suitable for putting ZhiYao, chongyang before and after the fall, strong breeze continuously, people according to the traditional custom to mountain climbing, outdoor activities, put ZhiYao at this time, right place, right time and, is quite a lot to the right.
參考翻譯：
放紙鷂是惠州過(guò)重陽(yáng)節(jié)的主要習(xí)俗。換句話說(shuō)，惠州民間過(guò)重陽(yáng)節(jié)是以放紙鷂為主要特征的。此習(xí)，除惠州流傳的民謠中有敘述以外，光緒《惠州府志》亦有記述。
紙鷂亦現(xiàn)在的風(fēng)箏。風(fēng)箏是五代以后的稱謂，五代之前，北方習(xí)慣稱“紙鳶”，南方則多叫“鷂子”，惠州的“紙鷂”稱謂很明顯的是保留了五代以前的`古老名稱，且有“南北混合”的味道。
風(fēng)箏始見(jiàn)于春秋時(shí)期，初型均是鳥(niǎo)類。相傳公輸般(魯班)“削竹為鶴，成而飛之”，“作木鳶以窺宋城”。這里的“竹鵲”“木鳶”，就是代風(fēng)箏的雛型。不過(guò)，當(dāng)時(shí)沒(méi)有紙，只能用竹木制成。清人筆記中說(shuō)“韓信率軍十萬(wàn)圍攻項(xiàng)羽于垓下，以牛皮制風(fēng)箏一具，下置善笛之人吹思鄉(xiāng)之曲，其聲悲怨，楚軍弟子八千人盡皆散去”。這里所說(shuō)的漢代風(fēng)箏，也只不過(guò)是牛皮制的風(fēng)箏。東漢蔡倫造紙術(shù)面世后，始有紙制風(fēng)箏，出現(xiàn)了“紙鳶”和“鷂子”的稱謂。“風(fēng)箏”之名的出現(xiàn)，據(jù)記是出現(xiàn)在五代，《詢芻錄》記曰：“風(fēng)箏，即紙鳶，又名風(fēng)鳶。初，五代李鄴于宮中作紙鳶，引線采風(fēng)為戲，后于鳶首以竹為笛，使風(fēng)入竹，聲如箏鳴，俗呼風(fēng)箏。”唐以后，風(fēng)箏盛行，并定清明節(jié)為風(fēng)箏節(jié)，宋已后更是在老百姓中間普及了。從這以后，風(fēng)箏的形狀已不局限于鵲、鳶、鷂等鳥(niǎo)類，蟲、魚、人神均有之，明清以后，風(fēng)箏制作已成為一種十分精湛的手工藝術(shù)。
惠州民間的紙鷂，已非本來(lái)面目，多為四方平面，帶一尾巴，其形狀與民間所貼門神、神位相似，故疑為神狀風(fēng)箏的一種簡(jiǎn)化。在惠州民間，風(fēng)疹制作極為簡(jiǎn)單，采竹一枝彎曲，一支直豎，撐住一張四方紙，貼上尾巴調(diào)好線，即可放飛。有一種不帶尾巴，四方狀紙稍大，稱“阿婆鷂”，以放飛時(shí)平穩(wěn)、安定而得名。除此外，其他形狀的紙鷂也偶而有之。重陽(yáng)這天，人們多伴以登高，于街道和曠野處放飛風(fēng)箏，孩童、成人均有之，亦甚壯觀。
按我國(guó)的傳統(tǒng)習(xí)慣，放飛風(fēng)箏多在清明。重陽(yáng)放紙鷂可說(shuō)是惠州民間特有習(xí)俗。其來(lái)由無(wú)從考究。但從惠州的領(lǐng)南氣候觀之，時(shí)間上似乎頗為恰當(dāng)。清明前后為雨季，春雨不斷，這時(shí)顯然是不適合于放紙鷂的，而重陽(yáng)前后秋高氣爽，勁風(fēng)不斷，人們按傳統(tǒng)習(xí)俗要登山登高，進(jìn)行戶外活動(dòng)，此時(shí)放紙鷂，天時(shí)地利人和，是頗多為適合的。
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