英語六級考試口語練：音樂的語言
導(dǎo)語：學(xué)業(yè)的精深造詣來源于勤奮好學(xué)，只有好學(xué)者，才能在無邊的知識海洋里獵取到真智才學(xué)下面是小編為大家整理的，深化考試招生制度改革的實施意見，想要知更多的資訊，請多多留意CNFLA學(xué)習網(wǎng)!
The Language of Music
A painter hangs his or her finished pictures on a wall, and everyone can see it. A composer writes a work, but no one can hear it until it is performed. Professional singers and players have great responsibilities, for the composer is utterly dependent on them. A student of music needs as long and as arduous a training to become a performer as a medical student needs to become a doctor. Most training is concerned with technique, for musicians have to have the muscular proficiency of an athlete or a ballet dancer. Singers practice breathing every day, as their vocal chords would be inadequate without controlled muscular support. String players practice moving the fingers of the left hand up and down, while drawing the bow to and fro with the right arm—two entirely different movements.
Singers and instruments have to be able to get every note perfectly in tune. Pianists are spared this particular anxiety, for the notes are already there, waiting for them, and it is the piano tuner’s responsibility to tune the instrument for them. But they have their own difficulties; the hammers that hit the string have to be coaxed not to sound like percussion, and each overlapping tone has to sound clear.
This problem of getting clear texture is one that confronts student conductors: they have to learn to know every note of the music and how it should sound, and they have to aim at controlling these sound with fanatical but selfless authority.
Technique is of no use unless it is combined with musical knowledge and understanding. Great artists are those who are so thoroughly at home in the language of music that they can enjoy performing works written in any century.
音樂的語言
畫家掛完成他或她的照片在墻上,每個人都可以看到它。作曲家寫了工作,但是沒有人可以聽到它,直到它完成。專業(yè)歌手和球員有很大的責任,因為作曲家是如此完全地依賴于他們。音樂的學(xué)生需要長期的、嚴格的培訓(xùn)成為一個表演者作為一個醫(yī)科學(xué)生要成為一名醫(yī)生。大多數(shù)是關(guān)心技術(shù)的訓(xùn)練,因為音樂家需要的肌肉能力的運動員或芭蕾舞演員。歌手們每天都練習吊嗓子,因為如果不能有效地控制肌肉的話,他們的聲帶將不能支持。弦樂演奏者練習移動手指的左手向上和向下,同時,用右手前后拉動琴弓——兩個截然不同的動作。
歌手和樂器必須使所有的音符完全相同協(xié)調(diào)。鋼琴家是沒有這個特殊的焦慮,為notes已經(jīng)在那里,等待他們,這是鋼琴調(diào)諧器的責任來調(diào)整儀器。但他們有自己的困難;錘子襲擊字符串必須哄不發(fā)出的聲音象是打擊樂器,而且每個交疊的音都必須要清晰。
這個問題得到明確的紋理是一個面臨學(xué)生導(dǎo)體:他們必須學(xué)會了解音樂中的每一個音,以及它如何應(yīng)該聲音,和他們必須瞄準控制這些聲音與狂熱但無私的權(quán)威。
技術(shù)是沒有用的,除非它是結(jié)合音樂知識和理解。偉大的藝術(shù)家是那些是如此徹底的在家里用音樂的語言,他們可以滿懷喜悅地演出寫于任何時代的作品。
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